Get all 6 Last-Mohican Records releases available on Bandcamp and save 25%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of TEN ICONIC RAGA MINIATURES, Sakhawat Hussain Khan: Complete Recordings, A Pearl from Lucknow: Yusuf Ali Khan, a journey in sound, Sarod Nawaz - Ishtiaq Ahmed Khan: Complete Recordings, and Ilyas Khan: Early Sitar Recordings.
Last-Mohican Records Berlin, Germany
Archival recordings of musicians from a bygone era of instrumental Raag-music and current followers of the
tradition.
The content is carefully digitized, restored and remastered for optimum sound by german sitar & surbahar player Matyas Wolter under the guidance of Ustad Irfan Khan whose vast collection is the main source of these releases.
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Last-Mohican Records recommends:
Cat's Cradle - Fresh Expressions in Vintage Ragas
by Arnab Chakrabarty
Most balanced instrumental raga music i have heard in a while. Played with such an ease and clarity and totally free from show offs. An album to return to many more times.
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Kesarbai Kerkar: 1944-1953
by Kesarbai Kerkar
Beautifully transferred and compiled. I wish we had such efforts albums for many other old-time artists of India. Kesarbai and her music are legend and don´t need no more words.
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PRANALI (2013)
by Samarth Nagarkar
A regal offering of two grand ragas from one of the finest voices of the current raga music scene.
go to albumIf you like Raga Sindhura: bilampat gat, you may also like:
Hata Unacheza: Sub-Saharan Acoustic Guitar & String Music, ca. 1960s
by Canary Records
supported by 4 fans who also own “Raga Sindhura: bilampat gat”
I really like to hear the joy in the songs. I appreciate especially Jean Bosco Mwenda.
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When the Moon Goes Down in the Valley of Time: African-American Gospel, 1939-52
by Canary Records
supported by 4 fans who also own “Raga Sindhura: bilampat gat”
I have loved the dixie Humming birds since the 1960s, but have never heard their early work--amazing. Listening to all this wonderous harmony and spirit comes close to restoring my lost faith in Christianity.
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The Belgian duo use violin, banjo, gongs and bird calls to create looping, gentle songs that mimic the ambience of the natural world.
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